My Year At Home

My Year At Home

Saturday March 14, 2020, entertaining an incomplete notion about the possibility of self -isolation, I got a call from my division leader at the clinic where I work- I am thinking why are they calling on a Saturday?


That can’t be good. He says- “ we want you to work from home due to your high-risk status-do you think you can switch everything to telemedicine?”.  A couple of hours later, my supervisor at the medical school calls me with a similar request regarding the courses I supervise.  By the next Wednesday, I am up and running as a physician and a professor completely online.

There is no doubt about my risk status.  Type 1 diabetes, history of 2 strokes, cardiac disease, chronic lung disease. I just cannot get this virus; my outcome almost certainly would be bad.  Furthermore, I would be taking up valuable space and using up resources in the hospital where I work- maybe even in the ICU. My year at home started when community spread was just beginning.

My wife had a job that required being with clients.  This required that she sit in the same room with the client, or sometimes the same desk for hours at a time.  They cannot always wear a mask and she couldn’t socially distance. Even with the eventual use of plastic barriers, it is at least moderate risk.  We believed in masks and social distancing in the community-that is a very good low risk strategy, but not zero. Her mother lives with us too, she has her own space, but she also needs zero risk. The same weekend I went online, we made the difficult decision to have my wife go stay with our youngest son and his husband-the chances of her bringing home the virus just seemed too high.  At the time, we thought it would be for several weeks, or maybe a few months.  Not too surprisingly, they quickly discovered an apartment was too small for the three of them, so this led them to buy a house!

North Dakota ended up being a state with one of the highest number of cases per capita by summer, and I was still at home.  We got creative about seeing each other with social distance walks and social distance driveway dates.  Every evening, we did a facetime call.    By this time, I had not gone anywhere or done anything except for riding my bike, walking in the neighborhood, or mostly aimless drives.  Sometimes, these were familiar routes, such as retracing to my commute to work. This took on new detail- things I stopped noticing before due to the complete routine of it all.  Checking out newer neighborhoods, revisiting old. Eventually, When the lease was up on my pickup, I didn’t replace it, because this was all I was using it for(yes, a pickup is a must in North Dakota).  With the harsh North Dakota winter approaching, I would certainly stop my recreational driving then.

I knew I needed to find things that would keep me oriented.  It seemed that it would be easy to sleep in, work late, lose my schedule, maybe start forgetting what day it was. So, I put on a dress shirt everyday whether I was on zoom for the medical school or clinic or not.  Many days, a tie- I made sure all of my Jerry Garcia ties got into the “rotation”.  Of course, I wore sweatpants, but I did buy a few pairs of some “really nice” sweatpants (is there such a thing?). I “went to work” about 8 am most days.  I took lunch breaks, often looking out our floor to ceiling windows in our living room. Facing our back yard with mature pines and deciduous trees, this took on more significance- and companionship. I rarely worked after 5 pm or on a weekend.  I more or less got used to zoom or teams’ meetings (“Dr. Johnson, you’re muted”- I still hear that a lot-tagged as a boomer again!) and classes. Students, other faculty, and patients adapted.

An unexpected “anchor” has been following the changes in daylight hours ever so subtly every day, but significant in their summer to winter cycle.  In Northeastern North Dakota, that means about 7 hours difference, a few minutes a day. I wrote more- I did several revisions to a book I am completing. I kept on with my daily journal, staying more in the moment. I read more, I followed columnists every day.  I subscribed to a couple of additional newspapers.  I watched less television.  Our son bought me a turntable and some records- The Who-Who’s Next remained a favorite. I had more quiet time. I have not been to the grocery store; I receive all by delivery.  Eventually, delivery from restaurants appeared to be safe, so that was added for a little more variety to the days. Nevertheless, I followed what was happening in the world, mostly bad it seemed. As long as I was home, I was not going to get COVID-19.  Regular zoom calls with extended family and friends became a welcome commitment- maybe more contact than I was having before.

After several months, I had only been to a destination and interacted with people once- I needed to have some routine lab tests for my diabetes in April. That was, until Friday, January 8, 2021, when I received my first COVID-19 vaccination.  Somewhat anxiety provoking, I interacted with several people at the hospital. Out in public, I became more aware that I had not had a haircut in almost a year and now had a ponytail.  Speaking to a couple of people I knew while waiting for vaccination, it seemed like a breach, but upon returning home, it was somewhat emotional.  Crying a couple of times over the rest of the day, it seemed more like a breakpoint.  The vaccine would eventually give me another layer of protection, maybe some more freedom.  It will be into fall before I will need to go to the medical school, and clinic is going very well as telemedicine- I know some patients will want to switch to this medium at least frequently. My clinic job or my medical school job likely will not ever be “normal” again.

Some we know think this has all been overkill, but every  move we made and so far, continue to make, is still with the idea of zero risk. My wife eventually quit her job, which she loved. Putting in a final 2-week quarantine at her our son’s place (he got COVID-19 and had a complete recovery), she came home.  We discovered a new depth to our relationship.  Oddly, perhaps, it never seemed like a huge burden, although we had our moments.  Military families have burdens of separation, including my own as a kid. I am aware of my privilege and grateful that I have employers that would work with me, and that I have steady employment.  Both situations served as very different perspective builders.

In January, our first grandchild was born.  Reflective of the times, I have only seen him on zoom until recently, following vaccination. This has caused us to assess how I will start interacting with the world away from home again. We didn’t see my adult disabled daughter in months- we did, but only after all of us (and her) were fully vaccinated. Beyond that, what is the end game?  Right now, I do not know. 

Most importantly, I have journaled every day.  Every day took on a uniqueness, no matter how slow or similar- more than when things were “normal”.  Some days were long, moody psychological journeys or reflecting on times past and maybe not particularly productive. That is what led me here, wondering what the next year will look like.  For certain, “normal” will be something different.  Our country is entering a new era for a lot of things. I am sure I will look at the world differently.

Monday, March 16, 2020, my wife drove away down the driveway.  Now, a year later, we still think it was the right decision- but we really had no idea at the time what would be next.  

Maybe I will go buy another pickup.

Hope and healing on a long awaited weekend with live music

So much has been written about the last year or so, it is difficult to think that one can say anything novel or interesting that adds to the conversation. Over a weekend in mid- April, Fargo favorites The Quarterly not only added to conversation, they also reminded us how important-hell, vital- live music has been for so many of us, and for this writer, being reminded of the humanity in the collective experience of a live show.

It’s been a little over 16 months since this band last appeared on stage in December 2019 at The Aquarium (their usual home), and the full first flush of feeling with the opening notes of “Shakedown Street” filling the spaces of the Sanctuary Event Center on the Saturday night show reminded of why the music matters, and launched the crowd beyond some of the difficulties of the last year. The somewhat unique medley of “Mama Tried” into “Brown-Eyed Women” indeed dusted off the bottle at an upbeat tempo further pulling in the attendees back to a welcome and familiar spot for all after so much time off.

Maybe it would’ve been easy to be swallowed up or intimidated by the gorgeous top-shelf Sanctuary, but the band showed no evidence of that.  The former church fed the collective spiritual experience of the gathering, once again familiar for all as the band fell into a loose-and-grooving “Sugaree” followed by a tightly played “Help On The Way>Slipknot>Franklin’s Tower”.  A sturdy “Loser” followed by an energetic “China Cat Sunflower>I Know You Rider” with a unique and jammy transition closed out the first set.

Next up after the set break, the drummers (with guest percussionist Adam Cariveau) were up for a hard and rhythmic “Samson & Delilah” as the perfect second set opener leading into an unexpected (for me, at least) “Scarlet Begonias>Fire On The Mountain”, with guest horn section Keith Thornby on tenor sax and Steve Wallevand on trombone.  This band is so good at making the “jam” transition sections their own, and this Scarlet>Fire is no exception.  “Feel Like a Stranger” seemed to lift the audience even further with its instantly recognizable opening chords, retaining the fresh horn section sound.  “Drums>Space” led perfectly into the slow groove of “New Speedway Boogie”- a somewhat ominous song with its history, but in this case, extremely well played.  A lively “U.S. Blues”- a fitting title for these times if there ever was one-and a “Not Fade Away” encore closed out the night, likely sending everyone out the door and into the cool spring night with hope for more after a long year off with no live music.  This band absolutely pulled the faithful together in Fargo- and on the high quality, professional live stream- on this first, very therapeutic, night back.

My anticipations were high for the Sunday show, particularly when I learned that the band would be doing the throwback style of a first set acoustic/second set electric characteristic of some of 1970 and some of 1980.  The band had pulled this off very effectively 3 years ago at the usual venue.

“Dire Wolf” with its characteristic riff opened the matinee all-ages show, but a glittering “Cassidy” was a great choice for this opening set, and extremely well played- this did not sound like a band that had an extended pause from performing. “Bird Song” reminded of the good vocal ensemble this band can be, and the following “Dark Hollow” reinforced it.  “Jack-A-Roe” perfectly set the stage into a tender and soulful “China Doll” with the band accelerating into the electric set with “Iko Iko” and familiar favorite “Ripple”.

The electric set opened strong with a lively “Don’t Ease Me In” and what was one of the more solid performances of either show, “Jack Straw” with a strong back and forth vocal by Pat and Jason. A loose and timely “Cold Rain and Snow” followed into a very well-played “Ramble On Rose”- this can be a song in lesser hands where tempo might drag, but not with this crew.

Perhaps the most well played song of the 2 shows was up next, an energetic, extended version of “Eyes Of The World”.  Quality solos on this song were in abundance, including a guest turn from the youthful Keaton (Jason’s son) on guitar.  Sliding from the excellent closing jam into “Drums/Space” and the emergence of “The Wheel” is always a good transition and certainly was on this afternoon session. “The Music Never Stopped” made it seem like that sentiment was true with its fiery jams.  A rockin’ “Deal” was the encore of the afternoon into early evening, which proved to be a very good time for a Sunday show.

Most, including myself, likely emerged from the weekend feeling hope and healing from a couple of excellent and professionally played shows, something I suspect we all needed after a long break away from live, in-person music and from so much personal disruption.  These shows were also available on high quality streaming audio and video, also very enjoyable- perhaps both subconsciously registering and resetting that the March winds had blown some of our troubles away on this April weekend.

Decades

During the pandemic, due to my high risk status, I’ve only been out to an actual destination a couple of times. As summer had descended, I’ve been out for more walks and just sitting outside to enjoy some nice weather, but that’s not every day. I’ve taken a few drives, but really only to nearby Lincoln park for a “drive around” a few times, where I still picture the old pre-flood neighborhood. It has seemed strange to be out and around after being home a lot during a tough weather spring. Last weekend a downtown bar had live music during the afternoon in their parking lot, so I got some snacks and a drink and parked on 3rd street (staying in my truck) to catch a couple of bands, which was surprisingly refreshing.

A couple of nights ago, I spontaneously decided to do venture out a little more on a drive. The weather was perfect around 8 pm- windless, about 80 degrees, the sun just beginning to tuck behind the trees. I started at the park, where there were quite a few disc golfers and people in the dog park- where it almost seemed “normal” for a minute. As I exited the park, I took a right turn out the opposite direction from my house and headed up Almonte Ave to Reeves Drive.
Reeves is like an old friend with its varied homes, many some of the most magnificent and historic in the city residing in the near southside neighborhood.

I felt comforted right away under the tree canopy which is signature to this area of town, seeming like a richer experience than usual. I decided to head north to 5th street and on up to Gateway Drive (U.S. Highway 2) and on over to the medical school, my usual work commute that I hadn’t done in months. Although very familiar, it seemed to take on an increasing different level of detail as I noticed small things I maybe don’t think of when it is all routine on a workday. My mindfulness seemed very enhanced after experiencing little during my self-isolation at home.

I headed back to downtown and banked onto Belmont Road as I re-entered the near southside and decided to ride it all the way several miles to 62nd Avenue South, often thought of as the southern border of the city; the exact opposite end from the medical school on the north. As I drove down the road, it told the story of the city as the neighborhoods unfolded from the 1870’s to the 2020’s, mile after mile. They witnessed post-civil war to early statehood, 2 world wars, the recovery of the 50’s, the turbulence of the 60’s, growth of the 70’s-90’s, serving as touchstones into the 21st century. It’s as if I were listening to a friend relay old stories, with the flood protection dike out my driver side window, insisting on its story, riding along the entire way.

I turned to face the sun across the horizon and the first shades of evening in the big North Dakota sky, pausing to reflect on what’s to come. I’m hopeful we’ll all recover, and the city will live on, holding these stories for future generations.

The Museum of the Soul

“There’s a part of most evenings, usually late, when I pass through an old feeling that seems like my youthful self, driving late at night in central Nebraska with the music playing ─ Bruce or Dylan or Miles or something ─ but now it’s like this feeling resides in a hallway I walk through prior to sleep, as if in a museum. That still carries me. The music. It was always inside me. It never left. “

Do Yü Remember?

It didn’t take much for me to decide to go to Bob Mould’s show in St. Paul this weekend, despite the ongoing cold and bluster of an upper Midwest winter. Ripping down I-94 with my similarly aged friend on the exact 40th anniversary of Hüsker Dü’s first show in their very same home city, I think we were expecting something special. The elder statesman of American Punk and architect of Alternative Rock delivered.

God Bless former Dü bassist Greg Norton, also still cranking it out after all these years and opening with his current band, “Porcupine”. Greg still has the same somewhat manic stage presence, and with him and Bob in the same building, the acknowledged specter in the room was the ex-drummer of the legendary band, Grant Hart, who had passed away from cancer in 2017 forever nixing in hopes of a full-fledged reunion.

Bob and his ace rhythm section (for the last decade) exploded on the stage with the opener “The War”, and followed with 26 more songs from across the entire span of his career, including solo, Sugar, and “Hüsker Dü. “I Apologize”, three songs in, electrified the full house at the old Palace Theater in the heart of the city as the crowd fitfully shook off the cold for the next 2 hours.

Showing no signs of flagging energy at age 58, Bob was in great vocal form with his characteristic bite and snarl. Wearing his trademark flannel shirt, his guitar playing, which is often underrated despite his very identifiable sound, was top-notch. Surprise of the night was “In A Free Land”, but the breathless and emotional moment was the singer’s solo performance of Hart’s “Never Talking To You Again”, the centerpiece in an 8 song Hüsker Dü run to close the show and close the loop with his contentious relationship with his ex-bandmate.

As his band left for the wings, Bob stood at the lip of the stage, looking professorial with his white beard, receding hairline, and wire rim glasses. Thanking the crowd (many the same age) he acknowledged the moment, showing us that some of those rough edges have perhaps been buffed off over the years. Perhaps we have too.

Thank you, professor.

Snow World

Flying over the central prairie, it’s smooth, perfect, and clean with white snow on the ground on a miraculous sunny day extending as far as the eye can see from my perch at 37, 000 feet. By my measure, we must be over Kansas winging from Houston to Minneapolis, then on home the last leg to Grand Forks. Back home, in northeast North Dakota, we have literally had weeks of below zero temperatures and the 4th most snow total ever through February, so I’m expecting it to look more like polar ice cap the further we fly over the northern plains.

In addition to snow, we’ve had dozens of days of punishing wind chill- this is the actual air temperature (often below 0F) combined with the wind over human skin (it has to do with the inherent moisture of skin) for a “feels like” temperature equivalent. The weather service issues a wind chill warning at minus 40F (which, coincidentally, is also minus 40C- I love that symmetry!). All of this is in the setting of low cloud cover night after night, creating an otherworldly reflectance of street lights back toward the ground- not quite light, not quite night. A few deer poke around the golf course across the street next to the river on occasion, no doubt looking for whatever sparse food is out there. I expect they are brave enough to check out some trash cans later in the overnight, later huddling in the trees for whatever shelter they can find.

A couple of nights ago, for the first time in a long time, there were some open streaks in the clouds in the west, revealing some indigo late sunset skies, like paint splashes on a grey canvas- our daylight hours are so short in the winter, but they’ve been so obscured, I have kind of missed that natural rhythmic addition of a few minutes of daylight to each day starting after the winter solstice. It seemed hopeful and reminded me that in the north, March is what makes or breaks our winter. Even though it has broken through and is brilliantly sunny now as I fly, I know it is still bitter cold, but it won’t be long before migrating birds return, the snow will clear, and we’ll find ourselves around the fire pit, on the golf course, at the ballgame, or enjoying the lake, with the winter of ’18-’19 fading into legend.

Lincoln Park Drive

Taking a walk and a drive through Lincoln Drive Park today, I’m reminded how the park ties together the past, present, and future of Grand Forks along the Red River of the North.

There are remnants of old streets and sidewalks from the preflood days, and every so often, one happens upon trees that suddenly line up straight, as if they carry the memories of the streets that used to pass below them. Pausing, in my mind’s eyes and ears, I imagine the houses, people out tending their lawns and kids playing in the school yard. A breeze rustles the leaves showing the first blush of fall, and I’m brought back to now as I notice a young family having their pictures taken and disc golfers enjoying one of the last perfect days of summer.

I look down where Euclid Avenue once passed, a couple of old driveway entrances still waiting for their old tenants. I’m feeling the spirit of the place that will also be here when I cross country ski when winter comes. In my car, I head out through the threshold of the park which now protects us from devastating floods as part of a flood wall/dike system and drive along the 100 year old golf course to my home, not so far away in space and time.

Lincoln Drive Park

Taking a walk and a drive through Lincoln Drive Park today, I’m reminded how the park ties together the past, present, and future of Grand Forks.

There are remnants of old streets and sidewalks from the preflood days, and every so often, one happens upon trees that suddenly line up straight, as if they carry the memories of the streets that used to pass below them. Pausing, in my mind’s eyes and ears, I imagine the houses, people out tending their lawns and kids playing in the school yard. A breeze rustles the leaves showing the first blush of fall, and I’m brought back to now as I notice a young family having their pictures taken and disc golfers enjoying one of the last perfect days of summer.

I look down where Euclid Street once passed a couple of old driveway entrances still waiting for their old tenants, feeling the spirit of the place that will also be here when I cross country ski here when winter comes. In my car, I head out through the threshold of the park which now protects us from devastating floods as part of a flood wall/dike system and drive along the 100 year old golf course to my home, not so far away in space and time.

Lincoln Drive Park

Taking a walk and a drive through Lincoln Drive Park today, I’m reminded how the park ties together the past, present, and future of Grand Forks.

There are remnants of old streets and sidewalks from the preflood days, and every so often, one happens upon trees that suddenly line up straight, as if they carry the memories of the streets that used to pass below them. Pausing, in my mind’s eyes and ears, I imagine the houses, people out tending their lawns and kids playing in the school yard. A breeze rustles the leaves showing the first blush of fall, and I’m brought back to now as I notice a young family having their pictures taken and disc golfers enjoying one of the last perfect days of summer.

I look down where Euclid Street once passed a couple of old driveway entrances still waiting for their old tenants, feeling the spirit of the place that will also be here when I cross country ski here when winter comes. In my car, I head out through the threshold of the park which now protects us from devastating floods as part of a flood wall/dike system and drive along the 100 year old golf course to my home, not so far away in space and time.

The Band and a City

From one year ago

Full set list 7/1/17 Wrigley Field Chicago, and a few of my thoughts

Cold Rain and Snow

Jack Straw

Ship of Fools

Tennessee Jed

Dark Star (acoustic)

Friend of the Devil (acoustic)

Althea

Casey Jones

Sugar Magnolia

Dancing In The Streets

Playing In The Band

Comes A Time (Oteil)

Scarlet>Fire (Oteil sang Fire)>

Drums>Space

The Other One

Days Between

Not Fade Away

Broke Down Palace

Sunshine Daydream (w fireworks and a short Blues type ending)

A few thoughts-

A joyous show tonight with perfect weather and the history and tradition of 2 Great American Institutions; Century old Wrigley Field and The Half century old Grateful Dead (well, at least Dead & Company this time around) finding a confluence, not unlike the Chicago and Illinois rivers along the banks of Lake Michigan in Chicago- the great American city and long time and frequent host of this great American Band.

The first set was enjoyable and well played, but the second set was one for the ages for this band. An extremely hot Dancing in the Streets into Playing in the Band took the crowd from feet to heart to head in a completely organic and righteous way.

The invocation of Jerry, although that was yet to be revealed fully, began as Oteil sang a pure and graceful Comes a Time. Scarlet Begonias was inspired, again incanting the dancers rolling into a unique and very well played transition into Fire on the Mountain, the latter also sung well by Oteil.

A subdued but somewhat fierce The Other One followed out of space, with John displaying a dense psychedelic core not displayed in his own solo work. To say his playing was remarkable on this song would be an egregious understatement.

It’s a cliche, but Jerry “was in the room” in a city that loved him and where he made his last live appearance, when Bob offered a heartfelt and heartbroken tribute of Days Between to his old Marin County musical brother. A spirited Not Fade Away allowed John the chance to bridge the decades yet another, with solid rock and roll stylistic touches. The “Fare Thee Well” chorus of Brokedown Palace left hardly a dry eye.

Maybe the most “complete” show I’ve seen by this band, (in person,

For certain) a strong case made in Bobby’s on stage unspoken musical endorsement of his new musical brother, John Mayer. One can only hope for the future of this group.